PreVis to PitchVis, next James Cameron is coming from CG artists to game developers.
Filmmaker Hasraf 'HaZ' Dulull doesn't mess around. On his third feature film, he realized he could skip concept art and go straight to pitchvis with Unreal E...
Tower of Nero MAPPED
I had fun editing the teaser and the full video for Read Riordan.
Samuel and Diego at The Half Blood Report team up with Rick Riordan himself to preview The Tower of Nero by using our Demigod Map! Order The Tower of Nero he...
How the 2020 EMMYS were shot REMOTELY
Look how far we have come since a reporter with an iPhone. This is new norm, and the technology will make it better, easier, and more importantly faster.
The 2020 Emmys were filmed remotely this year - learn how they did it with Jason Liquori, owner of C Mount Industries. YOU WILL LEARN: ✅ The portable camera ...
Break the Content Silo with Avid and Adobe
“The new MediaCentral panel for Adobe Premiere Pro lets you browse, search, access, and edit content and metadata across local and remote databases”
Inside Netflix's Surprising TV Chief Shake-Up →
“The real power of Netflix is not the stuff we talk about [think Stranger Things]; it’s The Witcher, Money Heist, Dark and all the international stuff — not making more Ozark. And [Bela] made smart acquisitions and spear-headed unscripted, too.”
“While Netflix came to town with the promise of a new playbook, Sarandos is increasingly shaping the streamer as a more traditional Hollywood conglomerate.”
Netflix changed Hollywood, but Hollywood also changed Netflix. It goes both ways, always.
I’m currently reading No Rules Rules: Netflix and the Culture of Reinvention, and this news may provide more insights into current Netflix culture and operations than the book is willing to divulge. After all, Mr. Sarandos is taking over Netflix after Reed Hastings steps down.
And this transition may prove to be more challenging than its foray into a streaming service, or mounting its own original productions.