An Apple Event Shot on iPhone

As you probably have heard/seen already, Apple held the first evening keynote/event to announce M3 Macs on October 30th.

I’m already asking: M3 Ultra, when?

But the real surprise, or One More Thing in Apple parlance, was the last card at the end of the event stream.

It almost overshadowed the new M3 chips & Macs and proceeded to generate discourses on what Apple really meant by “shot on iPhone.”

Apple-the master marketers of technology, released the following video as if they were expecting the discourses. And the video revealed the production & the post-production workflows of their events for the first time, because it highlights their biggest product, even if it steals spotlights away from new Macs. And the accompanying article details more with the behind-the-scenes photos.

The biggest takeaway for the people, most notably the post production professionals using Final Cut Pro X, was that Apple didn’t use its own NLE software to make their biggest videos. Haha…

Its post production workflow appears to be (and remains to be, I might add) Premiere Pro + After Effects (not shown in the video), and color + finish in DaVinci Resolve.

However, I wasn’t a least bit surprise because I worked at RadicalMedia, the production company behind the Apple virtual keynotes & presentations since its inception (due to the pandemic). It may haven’t been a public knowledge until Apple acknowledged & credited the production company in the video. No, unfortunately I didn’t get a chance to work on it but I’ve talked to coworker(s) about their experience (without knowing that I will be working on an Apple TV+ project later).

I know that the production chose Premiere Pro to edit, neither FCP X or Avid, because it offered faster turnarounds of GFX & VFX with After Effects integration.

A real surprise to me was the new BlackMagic Camera app, because the first Shot on iPhone 15 commercial was the Olivia Rodrigo music video, which used the default iPhone camera app.

Either the Blackmagic camera app wasn’t available at the time of filming, or Apple doesn’t want to show another company app in its commercial for average consumers.

All in all, this has been interesting turn of events for video professionals as Apple embraces and incorporates more professional features, gears, and apps to highlight its growing platforms, rather than pushing/forcing their own solutions.

Because at the end of the day, Not Invented Here is a dangerous path for a big tech company like Apple.

p.s.

Stu Maschwitz wrote more in-depth article about what does and doesn’t matter about Apple shooting the event with iPhone 15 Pro Max.

“Apple wants to sell iPhones, and to accomplish this, they spared no expense to put the very highest image quality on the screen.”

Yes.

Latest Updates to Premiere Pro & Avid Media Composer

The end of 2022 is upon us, but the post (software updates) don’t stop!

You can learn about the latest updates to Premiere Pro & Avid Media Composer at your leisure with the following videos.

As always, Premiere Gal has a great overview of the latest updates to Premiere Pro.

Avid pushed a great update for Media Composer before the end of 2022.

Jack, the Avid Assistant has more detailed look into the latest Avid Media Composer update.

New Speech to Text and Captions in Adobe Premiere Pro 2021

A nice walk-through of this great tool.

I bet a lot of documentaries and reality shows will switch to Premiere Pro based on this function alone. (Or ask AEs to work on these before passing off to Avid editors, haha.)

I should’ve guessed it but still surprised to hear that there will be Enterprise level pricing for this tool. Maybe Avid can counter this with improved ScriptSync that runs local machines instead of cloud services.