The Editing Tools Behind the Films at Sundance →

The most interesting stat in this graph is the total dominance of DaVinci Resolve in the color grading, but none in editing despite BlackMagic Design’s emphasis on that particular feature in recent years.

I’m also surprised to see Unity coming in after After Effects for Animation / VR / VFX.

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Achieving Realistic Professional Composites in After Effects

"After Effects is a platform."

One of my professional regrets is not realizing the potential of this program/platform early enough.

See how Stu Maschwitz makes realistic, integrated composites easier and more intuitively in After Effects thanks to Red Giant Supercomp. Stu is a filmmaker and VFX artist that spent years honing his craft at Industrial Light & Magic before co-founding the legendary effects firm The Orphanage. Subscribe: https://www.youtube.com/user/adobecre...

Post Production Workflow for a Netflix feature film

Although this video is a soft-sell for an online class, it's a great look into a feature film post production workflow (with #Avid of course)

Editor Lawrence Jordan, ACE masters the Netflix show Sextuplets. Compete in FilmSupply Edit Fest ($80K prize pool): https://thisguyedits.com/editfest Become an Assistant Editor with Master the Workflow (course): https://thisguyedits.com/mastertheworkflow Use Discount Code: TGE50OFF Lawrence Jordan, ACE is a veteran feature film and television editor who has worked with many of the top creatives at the world's largest entertainment companies, including Time Warner, Sony, Fox, MGM, HBO, Netflix and Disney.

What's New with DaVinci Resolve 16.1

The day I'll use DaVinci Resolve as my primary NLE is coming closer and closer.

Paul Saccone returned to LACPUG to show off the just announced Resolve 16.1Beta including the much maligned "Boring Detector." Paul also showed off "things you might not know Resolve 16 can do." Hosted by Michael Horton. In Collaboration with Surf Theater Productions

The Relationship Between Director and Editor Is Essential →

“While some could argue that anyone is capable of picking up a camera and pressing the record button, not everyone can take a vast amount of footage and mold it into a compelling story.”

Answer to Why the Relationship Between Director and Editor Is Essential for Emmy-Nominated Documentaries is obvious if you’ve worked on documentaries, and reality series.